Second Edition of TCC Rising Talent Programme
Last month, we launched the second edition of our Rising Talent Programme. This initiative is designed to provide professional support to 10 emerging Freelance Creatives as they embark on their careers in the media industry. Our primary motivation was to provide guidance, support, and nurturing to individuals who are just
Working With An Agency
Working as a freelancer in the media can be an advantageous, fruitful and successful career choice. It has many upsides, including autonomy, setting your own schedule, setting your rate, a variety of work and much more. We understand, however, that fears can creep in when managing yourself, the biggest being
Jeff Goldblum plying piano in the Frank Sinatra’s house: An interview with a TCC Producer Tom Mackay
You are a freelance Producer. But, what did you dream of becoming as a kid?I always wanted to be in a band or a successful musician, I play guitar and drums, and was in a few decent bands from teenage years onwards, but never “made it”! So then starting a
Empowering the next generation of freelancers
At TCC, we believe in the power of nurturing emerging talent to create a more inclusive, skilled, and innovative media industry. That’s why we launched the Rising Talent Programme—an 8-month initiative designed to bridge the skills gap and empower the next generation of freelancers.This year, we’re thrilled to be halfway
Isabel Barker: Freelancer of the Month
What do you think sets a great editor apart? Are there any techniques or principles you consistently adhere to in your work?There are many different ways to be a great editor! Some people are really, really technically skilled, some people are great at interpreting exactly what a client wants, some
‘Take action’. Meet Daniel Petiafo
Can you walk us through a day in the life of a Freelance Editor? How does your routine shape up?My day usually starts with looking at the brief or feedback notes and re-reading them regularly throughout the day. It’s important to ask questions and re-read notes often and early. What initially
Opportunities for Freelancers
At a time when consistent work can be difficult to secure, it's crucial to know where to find resources that genuinely make a difference. In this guide, we’re highlighting some of the best funding grants, open calls, free training programmes, and mental health support currently available to media professionals across
Stephanie Hornby: Freelancer of the Month
How did you become a camera assistant? I developed an interest in photography as a teenager, spending time in the school darkroom, which my art teacher fought hard to keep. This passion evolved into filmmaking, leading me to study Film and TV Production at university. I started out as a runner
‘I really take an interest in the subject I am editing’. Meet Sarah Caudrey
You studied Politics and Journalism. How did those fields shape your journey towards becoming an editor, and do you find those skills influencing your work today? I had no plans to work in TV or in editing but I studied Media Law as part of my journalism course which led me
‘Relax .. it’s only telly’. Robin Doelly: Freelancer of the Month
You’ve had an impressive career editing and grading content for some of the biggest names in British television. Can you tell us about a particular project that was both challenging and rewarding for you?To celebrate Shakespeare, I was asked to grade a short film of each of the bard's surviving