Tell us a bit about your background and how you got started in the media industry. What drew you to the roles of Edit Assistant, Junior Editor, and VFX Editor?

I started in the industry at a very young age through a community centre called YCTV, where I was introduced to various aspects of media production, including producing a half-hour show for cable TV. This experience served as my launchpad into the industry. I’ve now been working in post-production for over 10 years, starting as a Technical Runner before quickly progressing to an Edit Assistant. Over the years, I’ve explored several roles in postproduction, including Editor and Engineering Support.

I was particularly drawn to post-production because I enjoy the creative process of editing stories. The VFX aspect also intrigued me, as I love enhancing images with visual effects. My interest in VFX began when I was working on Online shows for TX, where I often had to perform ‘clean-up’ work using basic effects to make invisible fixes to the picture. This led me to explore more specialised VFX software to fine-tune the visuals.

Can you walk us through a typical day in your life as a freelancer? How do you balance multiple projects and deadlines?

A typical day varies depending on the job I’ve been hired for. My tasks can range from ingesting, syncing rushes, conforming, grade preparation, exports, tech support, QC, Online editing, AS-11 creation, all the way to delivering the show to the channel. The role of an Edit Assistant is quite broad, and the responsibilities can differ depending on where I’m working. When juggling multiple projects, organisation is key. I make sure to stay in constant communication with those responsible for delivering the show to ensure everything runs smoothly.

What has been your favourite project to work on so far, and what made it special for you?

My favourite project recently has been Bargain-Loving Brits Abroad. It’s a typical unscripted TV show about expats living in Spain. While the show can be repetitive, after watching several episodes, I began to notice patterns in how the narrative was constructed through editing.

As an Edit Assistant, Junior Editor, or VFX Editor, what are some of the biggest challenges you face, and how do you overcome them?

The biggest challenge is time. Many jobs have quick turnarounds, which was unsettling at first. However, with experience, I’ve learned to remain calm and communicate clearly with clients about what is achievable, ensuring expectations are realistic.

Blank Empire (2012)

How do you stay updated with the latest trends and technologies in editing and VFX? Are there any resources or communities you rely on?

I primarily use social media to stay updated, following various pages and channels. There are always new articles and videos being shared about the latest developments in creative sectors. Once I’m aware of a new trend, I dive deeper into research to stay informed.

Could you share a moment when you had to think outside the box to solve a problem on a project? What was the outcome?

I recall a time when a client was supplied with several viewing files that lacked timecodes. Time was critical as they needed to finalise the mix by the next morning. Instead of re-exporting the files, which would have taken too long, I downloaded and re-encoded them using Media Encoder, adding the timecode. This process was much quicker, and I was able to supply the corrected files to the client, avoiding any delays. Everyone involved was pleased with the outcome.

In your opinion, what skills are essential for someone looking to succeed in your line of work? Any advice for aspiring Edit Assistants, Junior Editors, or VFX Editors?

Patience and a willingness to learn are essential in this field. It’s also crucial to learn how to work with different personalities and not take things personally, especially as a freelancer, where the demand for your services can change rapidly. Keeping an open mind and being a team player are also important qualities.

Sorry (2013)

How do you handle creative differences with clients or other team members during a project?

I handle creative differences by remaining professional and considering the bigger picture. Many workplaces have established workflows and team members who are familiar with the environment. I try to understand other people’s perspectives on why things are done a certain way. I complete the tasks as required and offer solutions if the outcome isn’t as expected.

What is one piece of software or tool that you couldn’t live without in your work?

Communication tools like Slack, Microsoft Teams, or WhatsApp are indispensable because they allow me to stay in touch with people or groups and ask questions as needed, especially when I’m new to a work environment where a can-do attitude is crucial.

Looking ahead, what are your career aspirations, and what exciting projects do you hope to be involved in the future?

I aspire to move into more editing roles while balancing Online Editing as well. I want to work across various genres rather than being tied down to one. My ultimate goal is to work on more HETV and Films, but I’m also interested in documentaries and unscripted TV.

If you would like to review Puru’s CV or work with him, please contact a member of the team here.